PRINCIPAL DANCER WITH THE BOSTON BALLET
Lia Cirio began her training at Swarthmore Ballet Theatre with Lori Ardis. She went on to train at the Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary and Darla Hoover, where she also studied privately with Theresa Crawford and Rafael Grigorian. At the age of 16, she was awarded a Level One award from the National Foundation for Advancement of the Arts and was a Presidential Scholar in the Arts finalist. She was also awarded the top scholarship and Founders’ Award presented by Barbara Weisberger at the Regional Dance America Festival. The same year, she was invited by Mikko Nissinen to join Boston Ballet II, and was Boston Ballet’s Princess Grace nominee for 2004. She was promoted to Boston Ballet’s corps de ballet in 2004, to second soloist in 2006, and to soloist in 2007.
From 2008-2009, Cirio toured with Trey McIntyre Project, performing throughout the United States and the world. She danced principal roles in McIntyre’s Reassuring Effects of Form,Poetry, and A Day in the Life, and originated roles in various new works by McIntyre. She returned to Boston Ballet for the 2009-2010 season and was named principal dancer in 2010.
Lia is hailed as “one of the most accomplished actress-dancers in the company” by The Patriot Ledger, and as “an outstanding performer with tremendous stage presence” during Boston’s tour to Spain.
Her repertory with Boston Ballet includes featured and/or principal roles in classics such as Florence Clerc’s La Bayadère (Nikiya, Gamzatti, Lead Shade) andLes Sylphides (the Sylph); Rudolf Nureyev’s Don Quixote (Kitri, Mercedes, Queen of the Dryads); Harald Lander’s Etudes (the Ballerina); Mikko Nissinen’s Swan Lake (Odette/Odile, pas de trois, pas de cinq, Four Little Swans) and The Nutcracker (Sugar Plum Fairy, Dew Drop Fairy, Snow Queen, Arabian); Marius Petipa’s The Sleeping Beauty (Aurora, Lilac Fairy, Woodland Glade Fairy) and Paquita (principal role); Maina Gielgud’s Giselle (Myrtha, Peasant pas de deux); Frederick Ashton’s Cinderella (Cinderella, Winter Fairy), Sorella Englund’s La Sylphide (principal); Vaslav Nijinsky’s Afternoon of the Faun (principal nymph); Val Caniparoli’s Lady of the Camellias (Olympe), along with numerous pas de deux. She has danced principal roles in Balanchine’s Coppélia, Jewels (Diamonds and Emeralds), Symphony in C (second movement), Symphony in Three Movements, Theme and Variations, Apollo, Divertimento No.15, Episodes, Who Cares?, Concerto Barocco, The Four Temperaments, Ballo de la Regina, La Valse, Serenade, and A Midsummer Night’s Dream, in Jerome Robbins’ Antique Epigraphs and in Peter Martins’ Barber Violin Concerto. Her contemporary repertoire includes works by Jorma Elo, Jiří Kylián, William Forsythe, Alexander Ekman, Jeffrey Cirio, Wayne McGregor, Helen Pickett, TwylaTharp, Christopher Wheeldon, Mark Morris, Heather Myers, Christopher Bruce, Val Caniparoli, Lila York, and Petr Zuska. She originated roles in Elo’s Carmen (Micaela), Brake the Eyes, Sharper Side of Dark and Awake Only.
Lia was named in Dance Magazine’s first “On the Rise” feature article, and has been featured in additional articles in Dance Magazine, Dance Spirit, and on the cover of Pointe. She has performed in galas around the world, most recently with United Ballet Company. Cirio is currently pursuing a degree in Public Relations at Northeastern University. She also serves as Assistant to the Artistic Director, as well as a dancer with Cirio Collective. She is the sister of American Ballet Theatre Soloist and former Boston Ballet Principal dancer Jeffrey Cirio.
Photos by Rachel Neville